How can you walk by a grid of bones on a table and not read
the story?
Last month we took a trip out of the Hudson Valley to MASS MoCA,
the Massachusetts Museum of Contemporary Art. Set on 16 acres of an urban
section of North Adams, Massachusetts, the site’s 26 buildings are connected by
elevated walkways and courtyards. The Hoosick River flows through the site
which has an unmistakably industrial vibe. Since before the Revolutionary War, the
area was instrumental in the manufacture of shoes, hats, cabinets, and armor
plates for a Civil War ship and components for the atomic bomb in World War II.
Manufacturing ended in 1986 and the site was transformed into a museum after
staff of Williams College museum of Art sought an economic space to exhibit large
works that would not fit in conventional museums. MASS MoCA opened in 1999.
Artist Jenny Holzer’s giant light projections, carved stone benches, and posters make up her campus-wide exhibit of words and messages. In the East Gallery Lustmord Table features arranged bones on a wooden table, a project rooted in the war in former Yugoslavia. Attached to some bones are metal bands engraved with words from sex crimes perpetrated against Muslim women and girls. In the 1990s, 20,000 to 50,000 women endured rape and forced pregnancy, events the Golden Gate University Law Review called “one of the most egregious orchestrated human rights violations against women in this century.” Lustmord is German for “sexually motivated murder.” The bones were sourced from decommissioned medical samples and teaching materials.
Other works
show an autopsy reports indicating torture of detainees killed while in U.S. custody
in Iraq and Afghanistan and an image of a handprint from an Iraqi detainee who
died in U.S. custody in 2003.
MASS MoCA: www.massmoca.org
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